During discussions for an exhibition of his personal photographs, David Hockney hit upon a new way of making pictures. When you live this close to the sea, where it literally comes up and splashes the windows, it is not the horizon line which dominates, but the close movement of the water itself’ – D. Hockney It’s like fire and smoke, endlessly changing, endlessly fascinating’ (D. Hockney, quoted in C. S. Sykes, Hockney: The Biography. All orders are custom made and most ship worldwide within 24 hours. Illuminated as if from above, the entire composition is suffused with the sun-kissed Southern Californian light for which Hockney, by this stage, was internationally renowned. David Hockney, 1971. Rolling waves of azure, aquamarine and deep cerulean blue unfurl across the canvas in rich layers of impasto, flecked with luminous streaks of white. Overtones of Surrealism, too, are present in the strange assemblage of props in the work’s foreground. ‘At one side of my little house in Malibu is the Pacific Coast Highway; at the other is the beach. This section attempts to do that, capturing many of his finest portraits, landscapes and still life artwork. David Hockney Prints. Here, however, Hockney’s visual register remains tied to the figurative realm a poetic invocation of nature’s beautiful and disarming power. Indeed, its heroic vision of the natural world resonates with the grandiose aesthetic espoused by Wagner himself, whose epic scores had become the soundtrack to Hockney’s long drives along the Pacific Coastal Highway. Domestic Scene, Los Angeles 1963. Of all the works produced during this period, as Paul Melia and Ulrich Luckhardt have suggested, ‘The Sea at Malibu makes especially clear the formal changes [now] emerging in Hockney’s work. Rolling waves of azure, aquamarine and deep cerulean blue unfurl across the canvas in rich layers of impasto, flecked with luminous streaks of white. From Forum Auctions, David Hockney, My Little House at the sea (1989), The scarce colour copier print, 27.8 × 42.8 cm High quality David Hockney gifts and merchandise. Jahrhunderts. So when I am painting in my studio I am very aware of nature, in its infinity, and of the sea endlessly moving’ – D. Hockney When you live this close to the sea, where it literally comes up and splashes the windows, it is not the horizon line which dominates, but the close movement of the water itself’ – D. Hockney David Hockney, OM, CH, RA (born 9 July 1937) is an English painter, draftsman, printmaker, stage designer, and photographer. 13.01.2019 - Erkunde RÜDIGER TRAUTSCHs Pinnwand „Radierungen“ auf Pinterest. At the same time, the language of set design lingers in The Sea at Malibu: a theatrical, spot-lit mise-en-scène, in which a central stage-like structure opens out onto a sprawling dramatic panorama. signed, titled and dated ‘The Sea at Malibu Sept. 1988 David Hockney’ (on the reverse) Between 1988 and 1990, however, it was to become one of his primary subjects. oil on canvas ‘To be able to walk along that wooden deck with the water at your feet gives you a feeling of real connection to the sea’, he wrote. When you live this close to the sea, where it literally comes up and splashes the windows, it is not the horizon line which dominates, but the close movement of the water itself. During the 1980s, Hockney also drew heavily on the influence of traditional Chinese landscape paintings, which employs multiple overlapping perspectives in an attempt to immerse the viewer within the depths of the picture itself. Dabei steht sowohl Hockneys ständige Suche nach neuen Ausdrucksformen, als auch das Experimentieren mit der Darstellung von Perspektive, Wahrnehmung und Realität im … David Hockney schloss 1957 das Studium mit Auszeichnung ab. Illuminated as if from above, the entire composition is suffused with the sun-kissed Southern Californian light for which Hockney, by this stage, was internationally renowned. Studying the movement of the water sends one into a profound meditative state. In 1988, Hockney bought a house by the sea in Malibu, and was instantly inspired by the vast expanse of blue that glistened before him: miles and miles of Pacific splendour that lapped at the decking beneath his feet and stretched endlessly into the distance. signed, titled and dated ‘The Sea at Malibu Sept. 1988 David Hockney’ (on the reverse) Of all the works produced during this period, as Paul Melia and Ulrich Luckhardt have suggested, ‘The Sea at Malibu makes especially clear the formal changes [now] emerging in Hockney’s work. (91 x 122cm.) Drawing on the influence of Pablo Picasso and Henri Matisse – artists whom he greatly admired – Hockney hints at perspectival depth whilst simultaneously collapsing all sense of traditional pictorial space, bringing his waves rushing to the frontal plane. The Sea at Malibu Following the success of his landmark touring retrospective that year, The Sea at Malibu formed a centrepiece of the artist’s first Japanese retrospective at the Odakyu Grand Gallery, Shinjuku, in 1989. It’s like fire and smoke, endlessly changing, endlessly fascinating’ (D. Hockney, quoted in C. S. Sykes, Hockney: The Biography. Drawing on the influence of Pablo Picasso and Henri Matisse – artists whom he greatly admired – Hockney hints at perspectival depth whilst simultaneously collapsing all sense of traditional pictorial space, bringing his waves rushing to the frontal plane. Weitere Ideen zu radierung, kunstproduktion, david hockney. Roll Down, 1965 James Rosenquist; Expo 67 Mural—Firepole 33’ x 17’, 1967 Hockney wurde er am Royal College of Art (RCA) in London aufgenommen, wo er 1959 nach Abschluss des Zivieldienstes studierte. 36 x 48in. I step out of my kitchen door and there, right there, is the sea. Artworks related to tag. View David Hockney’s 12,363 artworks on artnet. In doing so, he replicates the dialogue between distant horizons and intimate proximity that defined his own relationship with the sea at Malibu. The sea rises as if in anger in this painting like a monster with arms outstretched, endowed with its own life, independent and even defiant of man’ (M. Livingstone, ‘The Sea at Malibu’, in David Hockney, exh. During the 1980s, Hockney also drew heavily on the influence of traditional Chinese landscape paintings, which employs multiple overlapping perspectives in an attempt to immerse the viewer within the depths of the picture itself. It is a work that, perhaps more than any other of this period, captures the aspiration towards new horizons and distant shores that was beginning to infiltrate the artist’s psyche at the dawn of an exciting new chapter in his career. There’s a great story about an airline worker who collected more than 100 David Hockney posters as he couldn’t afford to buy the original paintings or prints he loved. Der britische Maler lebte in Santa Monica und ließ sich von dem Milieu der Villen, des Wohnstands zu Bildern anregen. Acquired by the Fitermans the following year, it subsequently featured in Hockney’s solo exhibition at the Centre Georges Pompidou in 1999. Painted in 1988, the year of David Hockney’s triumphant return to painting, The Sea at Malibu presents a powerful ode to the breath-taking ocean vista that lay outside his new coastal studio. Acquired by the Fitermans the following year, it subsequently featured in Hockney’s solo exhibition at the Centre Georges Pompidou in 1999. Juli 1937 in Bradford) ist ein britischer Maler, Grafiker, Bühnenbildner und Fotograf. David Hockney, a great portrait painter, refuses to produce portraits of subjects he does not know personally. 1937) The Sea at Malibu signed, titled and dated ‘The Sea at Malibu Sept. 1988 David Hockney’ (on the reverse) By the early 1990s, these quixotic compositions would morph into fully-fledged abstractions. Er ist eine schillernde und exzentrische Künstlerfigur des 20. At the same time, the language of set design lingers in The Sea at Malibu: a theatrical, spot-lit mise-en-scène, in which a central stage-like structure opens out onto a sprawling dramatic panorama. From joyful sketches of old friends to a nude meeting with Picasso – when Hockney … As prolific as he is innovative, it truly is an impossible task to summarise his career up to now with just a small selection of paintings. David Hockneys iPad-Zeichnungen Optimistisch bis zur Schmerzgrenze Monatelang malte der Künstlerstar David Hockney jeden Morgen den Sonnenaufgang - digital auf … Then, in late 2018, he was in … As Hockney embraced painting anew, his visual language began to shift, reinvigorating the legacy of his art-historical forebears. ‘Here I’m on the edge of the largest swimming-pool in the world – the Pacific Ocean. Der Künstler war von der amerikanischen Westküste seit seiner Kindheit und einer Reise in den 1960er Jahren fasziniert. Painted in 1988. David Hockney. At the same time, poised on the edge of the Western shoreline, Hockney was profoundly aware of the unfathomable distance that stretched before him. Despite having established himself as the definitive painter of Californian landscapes during the previous two decades, Hockney had never painted the ocean. Volume 2, London 2014, p. 272). In 1988, Hockney bought a house by the sea in Malibu, and was instantly inspired by the vast expanse of blue that glistened before him: miles and miles of Pacific splendour that lapped at the decking beneath his feet and stretched endlessly into the distance. ‘Here I’m on the edge of the largest swimming-pool in the world – the Pacific Ocean. David Hockney (b.1937) My Little House at the sea The scarce colour copier print, 1989, signed and inscribed in black ink, one of only a few proofs printed, on Parsons Linen Ledge 100% Cotton fibre paper, printed by the artist, the full sheet 278 x 428mm (10 7/8 x 16 3/4in) (unframed) Provenance: The estates of David & Ann Graves. Hockney fängt in seinen lebhaften Pop-Art-Gemälden die hedonistische Atmosphäre und Kultur der Stadt, die Freizeitaktivitäten der Bewohner und das Wetter ein. Post-War and Contemporary Art Evening Auction, THE MILES AND SHIRLEY FITERMAN COLLECTION, David Hockney (b. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Giclée-Kunstdrucke sind sehr langlebig Kunst, Drucke, dass letzten über 80 Jahre, während regelmäßige Plakate, Siebdrucken und Vinyl gedruckt wird, schnell durch die billige Farbstofftinten verblassen werden verwendet, um sie, manchmal in wenigen Tage im Sonnenlicht zu produzieren. David Hockney (b. So when I am painting in my studio I am very aware of nature, in its infinity, and of the sea endlessly moving’ – D. Hockney Such stubbornness continuously works in his favour, allowing him to produce portraits imbued with incredible emotion and intimacy, such as those of his … 36 x 48in. As Hockney embraced painting anew, his visual language began to shift, reinvigorating the legacy of his art-historical forebears. Painted in 1988. This composition is striking because it is only in the foreground that light (falling from the left) is introduced as a further source of visual drama’ – P. Melia and L. Luckhardt ‘To be able to walk along that wooden deck with the water at your feet gives you a feeling of real connection to the sea’, he wrote. Hockney’s new residence was an old-fashioned 1930s beach cottage with a double-length deck that allowed him to encounter the ocean at close proximity. cat., Odakyu Grand Gallery, Shinjuku, 1989, p. 128). Following the success of his landmark touring retrospective that year, The Sea at Malibu formed a centrepiece of the artist’s first Japanese retrospective at the Odakyu Grand Gallery, Shinjuku, in 1989. Despite having established himself as the definitive painter of Californian landscapes during the previous two decades, Hockney had never painted the ocean. Volume 2, London 2014, p. 272). Rolling waves of azure, aquamarine and deep cerulean blue unfurl across the canvas in rich layers of impasto, flecked with luminous streaks of white. Inspired designs on t-shirts, posters, stickers, home decor, and more by independent artists and designers from around the world. Jahrhunderts. 1937) This effect – which mirrors Hockney’s experience of the waves breaking up against his window – is heightened by the artist’s almost Fauvist approach to his subject matter, employing vividly-saturated hues and richly expressive brushstrokes in order to convey the intensity of his vision. Hockney is an important contributor to the Pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century. Hockney is an active arts advocate and his work is widely recognized, awarded and in fact he was even offered a knighthood (which he declined). By the early 1990s, these quixotic compositions would morph into fully-fledged abstractions. In Los Angeles wurde Hockney zum Maler des sonnigen und hedonistischen Kalifornien. David Hockney ist ein britischer Maler, der für seine Bilder über das Leben in Los Angeles bekannt ist. Studying the movement of the water sends one into a profound meditative state. Nov 24, 2017 - Sea, waves en shores - David Hockney British b.1937- Seascape, 1989 Oil on canvas / 24 x 36 in. From 1 March, the colossal works of David Hockney will be on display in the Netherlands. Die Kindheit verbringt Hockney in Yorkshire. David Hockney: Top 10 Facts You Need to Know | FamousDetails At the same time, poised on the edge of the Western shoreline, Hockney was profoundly aware of the unfathomable distance that stretched before him. David Hockney: Drawing from Life review – stripping subjects down to their gym socks 5 out of 5 stars. David Hockney wird in Bradford,West Yorkshire (England) geboren. Alain Sayag, of the Pompidou Center in Paris, had visited Hockney at his LA home in the 1970s and was looking through the 100-odd photo albums, when Hockney realized the photographs had “cheated,” as they had not captured a true sense of the events they depicted. Er präsentiert Palmen, Schwimmbäder, Licht und Sonnenschein, das Nichtstun der Dargestellten. Photograph: David Hockney. Die Eltern sind kunstinteressiert, die Mutter überzeugte Vegetarierin. When you live this close to the sea, where it literally comes up and splashes the windows, it is not the horizon line which dominates, but the close movement of the water itself. (61 x 91.4 cm) Private collection Although Hockney knew he was ready to take on a big project, he said, he didn’t necessarily plan on doing it in Normandy. Overtones of Surrealism, too, are present in the strange assemblage of props in the work’s foreground. Between 1988 and 1990, however, it was to become one of his primary subjects. Er gilt als ein einflussreicher Künstler des 20. The sea rises as if in anger in this painting like a monster with arms outstretched, endowed with its own life, independent and even defiant of man’ (M. Livingstone, ‘The Sea at Malibu’, in David Hockney, exh. Their conversation unlatched a door. Im Jahr 1964 entdeckte David Hockney die West Coast der USA, wohin er bis 1968 übersiedelte. David Hockney is one of the most influential British artists of the 20th century. Official Works by David Hockney including exhibitions, resources and contact information. Even though the motif of the coastal landscape remains recognizable, one cannot fail to detect a rearrangement of pictorial space and an increasing abstraction in the presentation of the scene’ (P. Melia and U. Luckhardt, David Hockney, Munich 2007, p. 178). Diese Atmosphäre malte David Hockney in klaren Farben und einfachen Raum-Konzeptionen, konzentrierte s… Hockney’s new residence was an old-fashioned 1930s beach cottage with a double-length deck that allowed him to encounter the ocean at close proximity. ‘At one side of my little house in Malibu is the Pacific Coast Highway; at the other is the beach. David Hockney: The boy hidden in an egg The Little Sea Hare, 1969 © David Hockney : Die Ausstellung: Hockney meets Grimm, oder: der Mythos Deutschland im Märchen David Hockney in Steinau – ab dem 24. cat., Odakyu Grand Gallery, Shinjuku, 1989, p. 128). Having spent much of the 1980s immersed in the world of set design – most notably for Jonathan Miller’s 1987 production of Tristan and Isolde – it was during 1988 that Hockney rekindled his passion for painting in and of itself, pouring himself into intense observations of Malibu surroundings. David Hockney's vibrant colours dominate this gallery which covers his most famous artwork. Alle Drucke in David Hockney Nude (Theresa Russell) 1984 colour photographic collage 179 x 122 cm (70 1/2 x 48 in) Signed, titled and dated 'Nude 17th June 1984 #10 David Hockney' lower centre. Painted in 1988, the year of David Hockney’s triumphant return to painting, The Sea at Malibu presents a powerful ode to the breath-taking ocean vista that lay outside his new coastal studio. In doing so, he replicates the dialogue between distant horizons and intimate proximity that defined his own relationship with the sea at Malibu. Mai 2008: The Six Fairy Tales From The Brothers Grimm This effect – which mirrors Hockney’s experience of the waves breaking up against his window – is heightened by the artist’s almost Fauvist approach to his subject matter, employing vividly-saturated hues and richly expressive brushstrokes in order to convey the intensity of his vision. Prints and multiples, works on paper, and sold auction prices artworks for sale the! 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