To hear the sound of this scale it is important to play these shapes starting from the root "R". Important: The fretboard is shown with the lowest pitch string at the bottom and the highest pitch string at the top (unless you've tuned your instrument differently.) MENU MENU. Our 85+ hours of practice material helps you master improvisation! In the key of C: C, Db, D#, E, F#, G#, Bb. Here is a 12-bar solo written out over a C minor blues progression, with the altered scale being used to outline the chords in bars 4, 10, and 12. To help demystify the altered scale in your playing, this lesson will explain how to build and apply the altered scale, as well as explore common scale fingerings and melodic phrases. 10K likes. Skip to content. The altered scale is a scale built from the sequence: semitone – tone – semitone – tone – tone – tone – tone. Fig. I have a lesson on Altered Harmony which will explain it properly - it's a big deal - check it out!. This makes our life easier, after all, we already know the … A D Altered scale consists of D, D#, F, F#, G#, A# and C notes. Before print or download please save it first. Please log in again. These simple little rhythmic figures are very common but give command to good jazz bebop phrasing. Enjoyed this lesson preview? Once you have learned this solo as written, try putting on a backing track and play this solo once, followed by an improvised solo in the second chorus, alternating back and forth as you begin to integrate these ideas into your improvisational repertoire. Now that you know how to play the altered scale in four positions on the fretboard, as well as have studied classic altered vocabulary, you can take those ideas to a sample solo. The difference between the two is: These two scales are also used for different purposes: After studying the theory behind the altered scale, you are now ready to learn a few fingerings in various positions of the fingerboard. In this lesson I will take a G7alt dominant chord and the Ab me… Basically, any combination of altered fifths and ninths. Copyright Jazz Guitar Online 2020 © All rights Reserved. So, here’s my very quick guide to using the altered scale on bass. This is the foundation to becoming a learned musician, rather than merely a recreational player. MODES OF THE … Guitar Scale Practice. Generally, an altered scale (also known as altered dominant scale or super Locrian mode) is a seven note scale with a numeric formula of 1-♭2-♭3-♭4-♭5-♭6-♭7-8/1 however, it is sometimes written with two second and two fifth degrees minus a fourth and sixth, this is done to highlight the altered tones in both the scale … Altered . These all signify the altered scale sound. 1. After logging in you can close it and return to this page. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. As I mentioned, you could also use this box to get some outside tones into a regular blues on the fly because it fits around the classic E Minor Pentatonic box. You could make up your own pairs selecting from the altered tensions: b9, #9, #11 (same as #4 and b5), #5 (same as b6 and b13). Leave a reply. Here I chose #5 and #9 and would go through an entire tune playing this pair wherever I could. Here are three ii-V-I licks that use the altered scale over the V7 chord in each progression. Altered Scale Jazz Fusion Guitar Concepts [John Mclaughlin lick] 2 Short Bebop Jazz Guitar Lines [Breakdown] Notice the off-beat set up and triplet figure that pushes the line along. The seventh mode of the Melodic Minor Scale is called the Super Locrian mode but it's better known and The Altered Scale. This is something you can work out on the fly if you have to solo over altered dominant chord and want to outline it rather than blowing past it. G7 = G Altered Scale = 7th mode of Ab Melodic Minor Scale. So you don’t have to learn or practice a new fingering if you know the melodic minor scale. Lets take a look at each of these. 1. Is also a subset of the Ab melodic minor scale: Melodic minor: Ab Bb B Db Eb F G Ab Ab Bb. Hi Max, there’s a “Print & PDF” button at the bottom of the lesson. I have a lesson on Altered Harmony which will explain it properly - it's a big deal - check it out!. The altered scale contains all four of the common altered notes ( b9-#9-b5-b13 ), which are used to create tension over the underlying chord when applying this scale to a soloing situation. The altered scale for guitar is a difficult concept to grasp for a lot of players. In this installment of Guitar Command’s series of guitar chord theory articles, we look at how altered chords are formed, and how to play them.. These simple little rhythmic figures are very common but give command to good jazz bebop phrasing. The guitar neck itself looks like a chart: The parallel lines of the frets and string work in your favor. A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. Major Modal Guitar Ideas. So let’s look at the altered dominant 7th extensions first. Guitar Scale Practice. The scale is easier to relate to chords if you write it out like this: 1, b9, #9, 3, b5, #5, b7 as you can instantly see how it might fit the above chords. Like all scales, the altered scale moves in a series of semitones—some whole steps and some half-steps. Cameron Allen - From Blues to Jazz Part 3: Altered Scale Triads. Required fields are marked *. Try conjuring up that one on the fly when you want to actually use the scale! Altered scale diagrams beginning on each of the 12 chromatic tones. The notes in a G altered scale are: G, Ab, Bb, Cb, Db, Eb, F, G. The A flat and B flat are respectively the flat nine and sharp nine tones, the C flat and … So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. These are two of the most used scales in modern jazz. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. The intervals in gray are other chord tones that aren’t used to play the chord, and if you play all the colors together as a scale, you’ll get the altered scale itself, or the seventh mode of the melodic minor scale. There are many ways to play the altered scale on a guitar. The altered scale is used for playing on altered dominant chords such as E7#9, E7b9, E7#5, or E7b5, etc., because it contains all these alterations. Sharp 5th, flat 5th, sharp 9th and flat 9th. The altered scale is essentially what you get when you play a melodic minor scale starting finishing on the 7th note of the scale. Rich Perry had me practice using a couple notes of the altered scale by going through tunes and selecting pairs of altered notes to play on every chord as in the example below. The idea of taking something you already know and applying in another context entirely is a powerful concept in music. The scale contains every possible altered tension which are b9, #9, #11, b13 as well as the major 3rd and minor 7th. This is a typical bebop phrasing technique that always works well. Watch the lesson plus 100's more with a Premium Subscription. This was helpful. The altered dominant scale (sometimes referred to as super locrian) is the seventh mode of the melodic minor scale. This is because you get told that it’s the seventh mode of the melodic minor scale, which it is, or to ‘just play the melodic minor scale a semi-tone up from the root of the chord and you have the altered scale’. 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